Contact Report 059 - Revision history

Earth Human Being: Text replacement - "|frameless|130px|right|alt=Plejadisch-Plejarische Kontaktberichte]]" to "|frameless|124px|right|alt=Plejadisch-Plejarische Kontaktberichte]]"

2021-09-22T10:42:48Z

Earth Human Being at 13:33, 20 September 2021

2021-09-20T13:33:51Z

Earth Human Being at 10:39, 23 July 2021

2021-07-23T10:39:09Z

Earth Human Being at 10:35, 23 July 2021

2021-07-23T10:35:06Z

Show changes

CMossman at 16:36, 19 June 2021

2021-06-19T16:36:00Z

Earth Human Being at 10:38, 25 October 2020

2020-10-25T10:38:28Z

Earth Human Being: /* Next Contact Report */

2020-07-09T18:55:50Z

Next Contact Report

CMossman at 17:34, 28 February 2020

2020-02-28T17:34:30Z

CMossman: /* Contact Report 59 Translation */

2020-02-27T18:40:14Z

Contact Report 59 Translation

Show changes

Earth Human Being at 18:20, 27 February 2020

2020-02-27T18:20:50Z

@@ Line 17: / Line 17: @@
 </div>
 <div align="right"><div><ul><li style="display:inline-block">
-[[File:PLJARISCHE_BLK_2.jpg|frameless|130px|right|alt=Plejadisch-Plejarische Kontaktberichte]]</li></ul></div></div><br clear="all" />
+[[File:PLJARISCHE_BLK_2.jpg|frameless|124px|right|alt=Plejadisch-Plejarische Kontaktberichte]]</li></ul></div></div><br clear="all" />
 == Synopsis ==

@@ Line 13: / Line 13: @@
 * Translator(s): [https://www.deepl.com/translator DeepL Translator]{{Machinetranslate}}, Joseph Darmanin
 * Date of original translation: Wednesday, 31st July 2019
-* Corrections and improvements made: Catherine Mossman, Feb 2020, Joseph Darmanin
+* Corrections and improvements made: Catherine Mossman, Joseph Darmanin
 * Contact person(s): Pleija, [[Quetzal]], [[Semjase]]
 </div>
@@ Line 21: / Line 21: @@
 == Synopsis ==
-<div align="justify">'''This is the entire contact report. It is an official and authorised English translation and may contains errors. Please note that all errors and mistakes etc. will continuously be corrected, depending on the available time of the involved persons (as contracted with Billy/FIGU). Therefore, do not copy-paste and publish this version elsewhere, because any improvement and correction will occur HERE in this version!'''</div>
+<div align="justify">'''This is the entire contact report. It is an official and authorised English translation and may contain errors. Please note that all errors and mistakes etc. will continuously be corrected, depending on the available time of the involved persons (as contracted with Billy/FIGU). Therefore, do not copy-paste and publish this version elsewhere, because any improvement and correction will occur HERE in this version!'''</div>
 ==Contact Report 59 Translation==

@@ Line 393: / Line 393: @@
 | Okay, dann komm.
 |-
-| (The explanation takes only a few minutes, then Semjase has understood everything. Then we split up, and she flies with her ship behind Quetzal, who had flown away only about four minutes earlier with his ship and Pleija and disappeared behind the border shrubbery of the swamp forest clearing lying northwest in front of me. Schutzbach was able to see the ship clearly and distinctly, therefore it could also be photographed by Hans Schutzbach, but he lost his nerve and took only two very bad pictures.)
+| <br>(The explanation takes only a few minutes, then Semjase has understood everything. Then we split up, and she flies with her ship behind Quetzal, who had flown away only about four minutes earlier with his ship and Pleija and disappeared behind the border shrubbery of the swamp forest clearing lying northwest in front of me. Schutzbach was able to see the ship clearly and distinctly, therefore it could also be photographed by Hans Schutzbach, but he lost his nerve and took only two very bad pictures.)
-| (Die Erklärung dauert nur wenige Minuten, dann hat Semjase alles verstanden. Danach trennen wir uns, und sie fliegt mit ihrem Schiff hinter Quetzal her, der nur etwa vier Minuten zuvor mit seinem Schiff und Pleija nun doch sichtbar weggeflogen und hinter dem nordwestlich vor mir liegenden Abgrenzungsgebüsch der Sumpf-Waldlichtung verschwunden ist, jedoch derart, dass Amata Stetter, meine Kinder Gilgamesha, Atlantis und Methusalem sowie meine Frau und H. Schutzbach das Schiff klar und deutlich zu sehen vermochten, folglich es von Hans Schutzbach auch photographiert werden konnte, wobei er jedoch die Nerven verlor und folglich nur zwei sehr schlechte Bilder schoss.)
+| <br>(Die Erklärung dauert nur wenige Minuten, dann hat Semjase alles verstanden. Danach trennen wir uns, und sie fliegt mit ihrem Schiff hinter Quetzal her, der nur etwa vier Minuten zuvor mit seinem Schiff und Pleija nun doch sichtbar weggeflogen und hinter dem nordwestlich vor mir liegenden Abgrenzungsgebüsch der Sumpf-Waldlichtung verschwunden ist, jedoch derart, dass Amata Stetter, meine Kinder Gilgamesha, Atlantis und Methusalem sowie meine Frau und H. Schutzbach das Schiff klar und deutlich zu sehen vermochten, folglich es von Hans Schutzbach auch photographiert werden konnte, wobei er jedoch die Nerven verlor und folglich nur zwei sehr schlechte Bilder schoss.)
 |}

@@ Line 132: / Line 132: @@
 | 4. Es wird möglich sein, deinem Wunsche zu entsprechen.
 |-
-| 5. We will put our blasting ships on the supports.
+| 5. We will put our beamships on the supports.
 | 5. Wir werden unsere Strahlschiffe auf die Stützen niederlassen.
 |-
@@ Line 141: / Line 141: @@
 | Danke, Quetzal, das ist sehr lieb. Doch nun entschuldigt.
 |-
-| <br>(I walk the few metres through the high grass back to the edge of the forest and step over breaking branches and crackling leaves into the forest, where Pleija, Semjase's sister, is waiting for me. I watch them closely as they approach. She's as pretty as Semjase.)
+| <br>(I walk the few metres through the high grass back to the edge of the forest and step over broken branches and crackling leaves into the forest, where Pleija, Semjase's sister, is waiting for me. I watch her closely as I approach. She's as pretty as Semjase.)
 | <br>(Ich gehe die wenigen Meter durch das hohe Gras zurück zum Waldrand und trete über brechende Äste und knisterndes Laub in den Wald, wo Pleija, die Schwester von Semjase, auf mich wartet. Aufmerksam mustere ich sie beim Nähergehen. Sie ist ebenso hübsch wie Semjase.)
 |-
@@ Line 147: / Line 147: @@
 | <br>'''Billy:'''
 |- style="vertical-align:top;"
-| Hello, girl, it is so nice to see you. You look just like I imagined you would after my wife told me her dream. You are really very pretty and sweet to bite on. Look, I am about to start nibbling on you.
+| Hello, girl, it is so nice to see you. You look just like I imagined you would after my wife told me her dream. You are really very pretty and sweet to bite into. Look, I am about to start nibbling on you.
 | Hallo, Mädchen, es freut mich sehr, dich zu sehen. Du siehst ja genauso aus wie ich mir das vorgestellt habe, nachdem mir meine Frau ihren Traum erzählt hat. Du bist wirklich sehr hübsch und zum Anbeissen süss. Pass auf, ich beginne gleich an dir herumzuknabbern.
 |-
@@ Line 255: / Line 255: @@
 | 13. Bestimmt, daran bin ich interessiert.
 |-
-| 14. The devices are really barbaric, but I would like to try to control and master them.
+| 14. The devices are really barbaric, but I would like to try to operate and master them.
 | 14. Barbarisch sind die Geräte wirklich, ich möchte mich aber gerne bemühen, es zu steuern und zu beherrschen.
 |-
@@ Line 276: / Line 276: @@
 | <br>'''Pleija:'''
 |- style="vertical-align:top;"
-| 15. Controlling and mastering this device is a rather barbaric adventure, but I find it very interesting.
+| 15. Operating and mastering this device is a rather barbaric adventure, but I find it very interesting.
 | 15. Das Steuern und Beherrschen dieses Gerätes ist ein recht barbarisches Abenteuer, das ich aber sehr interessant finde.
 |-
@@ Line 330: / Line 330: @@
 | <br>'''Billy:'''
 |- style="vertical-align:top;"
-| Semjase, could you perhaps please my wife, the children, Miss Stetter and Mr Schutzbach, and speed away over them with your ship? They're all waiting on the hill behind the forest.
+| Semjase, could you perhaps please my wife, the children, Miss Stetter and Mr. Schutzbach, and speed away over them with your ship? They're all waiting on the hill behind the forest.
 | Semjase, könntest du vielleicht meiner Frau, den Kindern, Frl. Stetter und Herrn Schutzbach eine Freude bereiten und mit deinem Schiff über sie wegflitzen? Sie warten nämlich alle auf dem Hügel hinter dem Wald.
 |-

@@ Line 10: / Line 10: @@
 * Contact Reports Volume / Issue: 2 (Plejadisch-Plejarische Kontaktberichte Block 2)
 * Pages: 252–257 [Contact No. [[The_Pleiadian/Plejaren_Contact_Reports#Contact_Reports_1_to_400|39 to 81]] from 03.12.1975 to 04.09.1977] [[Contact_Statistics#Book_Statistics|Stats]] | [https://shop.figu.org/b%C3%BCcher/plejadisch-plejarische-kontaktberichte-block-2 Source]<br>
-* Date and time of contact: Monday, 28<sup>th</sup> June 1976, 16:14
+* Date and time of contact: Monday, 28<sup>th</sup> June 1976, 16:14 hrs
 * Translator(s): [https://www.deepl.com/translator DeepL Translator]{{Machinetranslate}}, Joseph Darmanin
 * Date of original translation: Wednesday, 31<sup>st</sup> July 2019
-* Corrections and improvements made: Catherine Mossman, Feb 2020
+* Corrections and improvements made: Catherine Mossman, Feb 2020, Joseph Darmanin
 * Contact person(s): [[Pleija]], [[Quetzal]] and [[Semjase]]
 </div>
@@ Line 19: / Line 19: @@
 [[File:PLJARISCHE_BLK_2.jpg|frameless|130px|right|alt=Plejadisch-Plejarische Kontaktberichte]]</li></ul></div></div><br clear="all" />
-=== Synopsis ===
+== Synopsis ==
 <div align="justify">'''This is the entire contact report. It is an authorised but unofficial DeepL preliminary English translation and most probably contains errors. Please note that all errors and mistakes etc. will continuously be corrected, depending on the available time of the involved persons (as contracted with Billy/FIGU). Therefore, do not copy-paste and publish this version elsewhere, because any improvement and correction will occur HERE in this version!'''</div>
 ==Contact Report 59 Translation==
-{{hidecolumnsbuttons}}
+<div style="margin-top:1%; margin-bottom:1%; font-size:120%; text-align:center">{{hidecolumnsbuttons}}</div>
 {| style="text-align:justify;" id="collapsible_report"
 |+
 <span style="position:absolute; right: 5px;">http://www.futureofmankind.co.uk/w/images/5/52/FIGU.png</span>
 | style="width:50%; vertical-align: top; padding:3px; background:LightSkyBlue; color:Black" | <big><center>'''English Translation'''</big> || style="width:50%; vertical-align: top; padding:3px; background:LightSkyBlue; color:Black" | <big><center>'''Original German'''</big>
 |-
 | <br><center><big>'''Fifty-ninth Contact'''</big>
 | <br><center><big>'''Neunundfünfzigster Kontakt'''</big>
 |-
-| <center><big>'''Monday, 28<sup>th</sup> June 1976, 16:14'''</big>
+| <center><big>'''Monday, 28<sup>th</sup> June 1976, 16:14 hrs'''</big>
 | <center><big>'''Montag, 28. Juni 1976, 16.14 Uhr'''</big>
 |-
@@ Line 91: / Line 90: @@
 | <br>'''Semjase:'''
 |- style="vertical-align:top;"
-| 9. You can still explain the function to me later, but thank you very dearly to my dear friend for it.
+| 9. You can still explain the function to me later, but thank my dear friend very much for this.
 | 9. Du kannst mir die Funktion später noch erklären, bedanke dich aber sehr lieb bei meiner lieben Freundin dafür.
 |-

@@ Line 401: / Line 401: @@
 [[Contact Report 60]]
 <br>
 ==Further Reading==

@@ Line 235: / Line 235: @@
 | <br>'''Billy:'''
 |- style="vertical-align:top;"
-| You talk like Semjase. Of course, I already know, and I am aware of all the things. But on the one hand they are very dangerous and on the other hand it is not important for my mission today.
+| You talk like Semjase. Of course, I already know, and I am aware of all these things too. But on the one hand, they are very dangerous and on the other hand, it is not important for my mission today.
 | Du sprichst wie Semjase. Natürlich, ich weiss schon, und ich bin mir alle die Dinge auch bewusst. Einerseits jedoch sind sie sehr gefährlich und andererseits ist es für meine heutige Mission ja auch nicht wichtig.
-|-
+|-+
 | <br>'''Pleija:'''
 | <br>'''Pleija:'''
@@ Line 247: / Line 247: @@
 | <br>'''Billy:'''
 |- style="vertical-align:top;"
-| That may be, but time arrive, advice comes. You want to look at my barbaric vehicle now? It is over there by the trees. I'd like to teach you how to drive.
+| That may be, but time arrives, advice comes. You want to look at my barbaric vehicle now? It is over there by the trees. I would like to teach you how to drive.
 | Das mag sein, doch kommt Zeit, kommt Rat. Willst du nun mein barbarisches Vehikel begutachten? Es steht dort drüben bei den Bäumen. Ich will dir gern das Fahren beibringen.
 |-
@@ Line 322: / Line 322: @@
 | 20. Womit du nicht unrecht hast.
 |-
-| 21. Come on now, I got to go because I have a job to do with Quetzal.
+| 21. Come on now, I must go because I have a job to do with Quetzal.
 | 21. Komm aber jetzt, ich muss wieder gehen, denn ich habe mit Quetzal zusammen eine Aufgabe zu erledigen.
 |-
@@ Line 337: / Line 337: @@
 | <br>'''Semjase:'''
 |- style="vertical-align:top;"
-| 13. Such a company is particularly dangerous at daytime.
+| 13. Such an undertaking is particularly dangerous in the daytime.
 | 13. Zur Tagzeit ist ein solches Unternehmen besonders gefährlich.
 |-
-| 14. I'd be sighted too far around.
+| 14. I would be sighted too far around.
 | 14. Ich würde zu weit herum gesichtet.
 |-
@@ Line 352: / Line 352: @@
 | 6. Es ist wohl besser, Semjase bleibt unsichtbar, vielleicht aber kann ich etwas tun.
 |-
-| 7. I will control the environment and then make up my mind.
+| 7. I will monitor the environment and then make up my mind.
 | 7. Ich werde die Umgebung kontrollieren und mich dann entscheiden.
 |-
@@ Line 358: / Line 358: @@
 | 8. Es wird aber schwerlich sein, uns sehen lassen zu können, denn es sind sehr viele Menschen in der Umgebung unterwegs.
 |-
-| 9. Farewell now, it calls us our work.
+| 9. Farewell now, our work is calling us.
 | 9. Lebe nun wohl, es ruft uns unsere Arbeit.
 |-
@@ Line 373: / Line 373: @@
 | 22. Auf bald, lieber Freund.
 |-
-| 23. It was a very joyful to be together.
+| 23. It was very joyful to be together.
 | 23. Es war mir ein sehr freudiges Zusammensein.
 |-
@@ Line 379: / Line 379: @@
 | <br>'''Billy:'''
 |- style="vertical-align:top;"
-| Goodbye to you, too.
+| The pleasure is all mine, farewell.
 | Ganz meinerseits, leb wohl.
 |-
@@ Line 385: / Line 385: @@
 | <br>'''Semjase:'''
 |- style="vertical-align:top;"
-| 16. Then you can explain the brought device to me still shortly.
+| 16. Then you can briefly explain the device you brought to me.
 | 16. Dann kannst du mir noch in Kürze das mitgebrachte Gerät erklären.
 |-
@@ Line 394: / Line 394: @@
 | Okay, dann komm.
 |-
-| (The explanation takes only a few minutes, then Semjase has understood everything. Then we split up, and she flies with her ship behind Quetzal, who had flown away only about four minutes earlier with his ship and Pleija and disappeared behind the border shrubbery of the swamp forest clearing lying northwest in front of me. Schutzbach were able to see the ship clearly and distinctly, therefore it could also be photographed by Hans Schutzbach, but he lost his nerve and took only two very bad pictures.)
+| (The explanation takes only a few minutes, then Semjase has understood everything. Then we split up, and she flies with her ship behind Quetzal, who had flown away only about four minutes earlier with his ship and Pleija and disappeared behind the border shrubbery of the swamp forest clearing lying northwest in front of me. Schutzbach was able to see the ship clearly and distinctly, therefore it could also be photographed by Hans Schutzbach, but he lost his nerve and took only two very bad pictures.)
 | (Die Erklärung dauert nur wenige Minuten, dann hat Semjase alles verstanden. Danach trennen wir uns, und sie fliegt mit ihrem Schiff hinter Quetzal her, der nur etwa vier Minuten zuvor mit seinem Schiff und Pleija nun doch sichtbar weggeflogen und hinter dem nordwestlich vor mir liegenden Abgrenzungsgebüsch der Sumpf-Waldlichtung verschwunden ist, jedoch derart, dass Amata Stetter, meine Kinder Gilgamesha, Atlantis und Methusalem sowie meine Frau und H. Schutzbach das Schiff klar und deutlich zu sehen vermochten, folglich es von Hans Schutzbach auch photographiert werden konnte, wobei er jedoch die Nerven verlor und folglich nur zwei sehr schlechte Bilder schoss.)
 |}

@@ Line 410: / Line 410: @@
 ==Source==
-* Gerhuman being Source:
+* German Source:
 * English Source: